Yes, I’m the worst blogger on the face of the earth. I haven’t posted in, what, over a month?
Oh well.
“Slumdog Millionaire” is a brilliant movie, a Dickensian story in a Hindi landscape. Danny Boyle should be taken out and shot, so that future generations remember him for this movie. Otherwise, he might turn out another “A Life Less Ordinary” or “The Beach”, leading to a downward spiral that eventually finds him shilling for some cheap winemaker.
To be fair, I loved “A Life Less Ordinary” until the last twenty minutes or so, when it bizarrely turned into “A Crappy Disingenuous Fable More Ordinary”. Of course, I also liked Cameron Diaz in those pre-Charlie’s Angels days. So much for the past.
I understand that “Slumdog Millionaire” is facing some controversy in Mumbai for its depiction of life in the massive slums. Indeed, a Hindi friend-of-a-friend has protested to said Hindi friend that Mumbai isn’t really like that. Of course, the protesting person is from a well-off high-caste family. That’s rather like some rich white boy in the U.S. saying that racial discrimination really isn’t that bad and what’s the big deal with the homeless and so forth. Conversely, everything I’ve read from more reliable sources indicates that it’s a reasonably accurate portrayal: 60% of Mumbai’s population lives in slums, including the central Mumbai slum of Dharavi which alone has a population of one million. It’s enough to make Charles Dickens shit himself.
The framing device is the Indian version of “Who Wants To Be A Millionaire?”, but it opens in a jail cell as the protagonist, Jamal, is being . . . um . . . ‘interrogated’. The police are convinced that he’s cheated his way to the big-money final question. The movie unfolds in the episodes of Jamal’s life as he explains how he knew or guessed each answer. The first person narrative is frequently reinforced with images from Jamal’s memories of stories that he hasn’t told yet; we’re reminded that there’s much more to the story than we’ve yet seen.
While the overarching drive for Jamal is his childhood sweetheart Latika, the key narrative dynamic is the relationship between Jamal and his older brother, Salim. In an early episode, the very young brothers are each seeking a movie star’s autograph, and their efforts and interaction are a microcosm of how the rest of the movie plays out. To indulge in a metaphorical hyperbole, Jamal will endure a world of shit in seeking his heart’s desire.
The cast is excellent, with the key characters being protrayed by three different actors at different ages; all of them were wonderful. In particular, I was impressed by Dev Patel as the adult Jamal. The credits play out over a Bollywood-style dance number featuring Jamal and Latika, both as adults and children, and I noticed Patel’s body language as he danced. His movements conveyed a completely different person that the Jamal he had portrayed in the movie. He had so inhabited the character of Jamal that he was visibly different when outside of it.
Okay, that’s enough from me. Go see the movie. Prepare to have your heart wrenched repeatedly, but you’ll leave the theater with a joyous heart.
And that’s the highest possible praise from a miserable bastard like me.